● Pierre Bourdieu, Entretien sur la pratique, le temps et l’histoire
● Tetsuji Yamamoto, Towards a Theory of Pratique: philosophical fields in social theories
● Octavio Paz, Diálogo de Sombras: México y Japón─lejanía y convergencia (Interviewers: Yumio Awa & Tetsuji Yamamoto)
● Julia Kristeva, Nahoko Nishikawa, La difference sexuelle/l’amour/la fantaisie
● Hirofumi Tsuboi, Hare and Ke in Japanese Folklore: Multiple Dimensions of Japan’s Basic Culture
● Photo Essays, Tenugui, Froshiki,Hagoita,Ema,Mizuhiki

● Julia Kristeva et Nahoko Nishikawa, Entre le temps passé et le temps à venir
● Roger Chartier, L’histoire culturelle redéfinie: pratiques, representations, appropriations
● Alfredo López-Austin, La historia de los mexicas que llegaron por el mar
● Tetsuji Yamamoto, Japanese Pratique and The Tale of Genji: A Sociological View
● Hirofumi Tsuboi, Hare and Ke in Japanese Folklore(2): Multiple Dimensions of Japan’s Basic Culture
● Hideya Kawakita’s Selection: Japanese Aesthetics(1),Soko Suzuki, Wagashi and the Image of the Four Seasons

● Sadakazu Fujii, The Essence of Genji Monogatari
● Roger Chartier, Ecriture, livre, lecture: trois histoires et un futur
● Tetsuji Yamamoto, On Japanese Contemporary Intellectual History
● Carlos Monsiváis, Octavio Paz en sus ensayos
● Hideya Kawakita’s Selection: Japanese Aesthetics(2),Iwao Nukata, Kakine as Interweaving the Art of Dwelling Rius, michiko, mi chiko, iichiko

● Takaaki Yoshimoto,Asian Thought and Ryôkan (1)
● Roger Bartra, El descubrimiento del occidente salvaje: historia de un grupo primitivo imaginario
● Tetsuji Yamamoto, Theoretical Displacement of Social Sciences from Chartier to Foucault: Beyond Postmodernism
● Nancy Chodorow & Nahoko Nishikawa, Gender and Mothering Rius, Hace 500 años
● Hideya Kawakita’s Selection: Japanese Aesthetics(3), Haruzo Ohashi, Courtyard Gardens: A Harmony of Nature and Enclosed Open Space

● Jack Goody, The Culture of Flowers
● Alfredo López-Austin, El Arbol Cosmico en la Tradicion Mesoamericana
● Tetsuji Yamamoto, Theory of Love Pratique
● Takaaki Yoshimoto, Asian Thought and Ryôkan(2)
● Hideya Kawakita’s Selection: Japanese Aesthetics(4), Universe of stone

Special Issue : Cultural Technology
Debates on Cultural Technology: Introduction
● Tetsuji Yamamoto, The Epistemology of Cultural Technology
● Hans A. Muth, Cultural Technology as a Must for the Future Society
● Anne Marie Boutin, Cultural Technology as an Essential Dimension of Man’s Need to Express Meaning
● John Thackara, There is no Such Thing as Technology Which is not Cultural
● Sir Terrence Conran, Possibilities of Cultural Technology in the Future
● Derrick de Kerckhove, New Electronic Technology and Cultural Technology
● Jean Pierre Vitrac, Cultural Technology is a Strategy for Openness
● Bill Moggridge, An Interpretation of Cultural Technology
● William Reddy, Questions Concerning “Design is the development of cultural technology”
● Paul Dumouchel, An Analysis and Criticism of the Cultural Technology Proposal
● Barry Smart, Technology and Culture: Questions of Articulation
● Peter Burke, Reflections on the Concept of Cultural Technology
● Frederic Jameson, Culture, Technology and Politics in the Postmodern Conditions
● Dominick LaCapra, European Intellectual History and Post-Traumatic State
● Hideya Kawakita’s Selection: Japanese Aesthetics(5),Chopsticks as Cultural Technology

● Jacques Bouveresse, Robert Musil et le problème du déterminisme historique
● Tetsuji Yamamoto, Méconnaissance du déplacement théorique de Foucault au Japon
● Norihiko Fukui, Kaleidoscopic View on Urban History
● Hidenobu Jinnai, A Comparative Study of Urban Spaces: From a View of Spatial Anthropology
● Kiyokazu Washida, Who Owns Me?: Possessing the Body or Current Theories of Ownership
● Jun’ichi Takahashi, Toward a Changing Concepti of Capital
● Ryuichi Narita, Historial Practice before the Dawn: “Modern Japan” in Postwar History
● Hideya Kawakita’s Selection: Japanese Aesthetics(6), Elia Taniguchi, The Environment and Cultural Technologies on ÔSHIMA Pongee

● Attilio Petruccioli, The Rule and the Exception
● Shin’ya Hashizume, Utopias for the Dead: Cities and the Design of Cemeteries in Japan
● Hideya Kawakita, The Dignity of Man
● Edward G. Andrew, Philosophy and Evaluative Thought
● Tetsuji Yamamoto, The Philosophy of Global Environmental Strategies Research: Environmental Design with Place (Basho)-Subject

● James Miller, The Prophet and The Dandy Philosophy as a Way of Life in Nietzsche and Foucault
● Ryuzo Uchida, The Transformation of Capitalism and Human Body
● Osamu Kanamori, The Politics of Pharmacological Human Designing
● Shigeru Kanzaki, Re-writing of Self Foucault on Power and Value
● Tetsuji Yamamoto, The Philosophical Design of “Predicative Will (of Place)” on Foucault
● Jun’ichi Takahashi, The Genealogy of the Subject and Ethics: Learning from Foucault
● Hideya Kawakita’s Selection: Japanese Aesthetics(7), The Cultural Technology on Kyo-Karakami

● Edward G. Andrew, Conscience Makes Coward of Us All
● Ryuzo Uchida, The Discourse of Electronic Media
● Jun’ichi Takahashi, Theatrum Mundi or Baroque Dreams: Aporias in Chapter Two of Foucault’s The Order of Things
● Tetsuji Yamamoto, Foucault and Predicative Will/Knowledge/Power(First Draft)
● Tetsuji Yamamoto, Ryuzo Uchida, Masafumi Yano, Intellectual and Cultural Production for the 21st Century
● Hideya Kawakita’s Selection: Japanese Aesthetics(8), The Cultural Technology on Wa-Rôsoku

● John Urry, Mediating Global Citizenship
● Tetsuji Yamamoto, The Appropriative Economy of Place: Predicativity, Non-Separation and the Will of Place(First Draft)
● Judith Still, Gendered Economies and Aneconomies: The ambiguous text of Barthes’s ‘Incidents’
● Edward G. Andrew, The Cost of Values
● Ryuzo Uchida, Transformation of Sports
● Roger Chartier, Cultural History of Society: Linking Economy to Culture
● Paul Rabinow, New Economics of(Scientific)Truth
● Hideya Kawakita’s Art Direction : Japanese Aesthetics(9), The Cultural Technology on Iron: Munemichi Myochin Interview